ComedyPass vs Jump Comedy
Both of us sell comedy tickets and both of us will run your ads. Run them here and they go out from your own page, so the following you pay for is yours — and when the night's over, you find out what it actually made.
Every ad you pay for should make your room bigger.
When you run a campaign through ComedyPass it goes out from your own Meta ad account, on your own page. You connect it once. Every dollar you spend grows your following, your engagement and your retargeting audience — and all of it is still yours the day you stop using us.
- Your ad account, your page Connect Meta once and campaigns go out under your name, not a platform's.
- The following compounds for you Every dollar of spend builds an audience you keep, rather than one you rent.
- And it's traceable to tickets The click and the checkout are the same system, so you get cost per actual ticket per creative — not just impressions.
On Jump, the ads run from Jump's pages. You pay for the reach and their page collects the followers, the engagement and the retargeting audience. Stop using them and none of it comes with you, because none of it was ever yours. You didn't build an audience — you rented one, and paid to grow theirs while you did it.
- Ad accountYours
- Page the ad runs onYours
- Followers and engagementYours
- If you leaveYou keep the audience
A roster isn't a settlement.
Jump has performer profiles. So do we — but a profile tells you who was on the bill, not what they're owed. Everything below is the part that happens after the tickets are sold, and it's the whole reason to run your shows here.
Deals, not a payout box
Seven settlement structures — flat, percentage of the door, guarantee, greater-of, flat plus, guarantee against, custom — with conditional bumps if the show sells out.
Break-even before the night
What the show needs to sell to cover what you've already committed, while there's still time to put a push behind it.
The show closes itself out
Gross to net, expenses, every performer's payout computed from their own terms, then profit and margin. Exported as CSV.
The whole comparison.
Checked against Jump's own published pages in August 2026.
| ComedyPass | Jump | |
|---|---|---|
| Sell tickets, tiers, discount codes | Yes | Yes |
| Reserved seating and table rooms | Yes | Yes |
| Subscription | None | None |
| Service fee | $2.25–$4.25 per ticket by band $75+: 5% + $0.75 per order | $1–$3.50 per ticket $75+: 5% |
| Meta ads from your own ad account | Yes Your page, your followers | No Ads run from Jump's pages |
| The following your ad spend builds | Yours Stays with you if you leave | Theirs |
| Ad-level attribution to ticket revenue | Yes Cost per actual ticket, per creative | No |
| Per-performer deal terms | Seven structures + bumps | No Performer profiles only |
| Performer payouts calculated for you | Yes | No |
| Break-even on an upcoming show | Yes | No |
| Per-show profit and margin | Yes | No Sales analytics, not a P&L |
| Tour routing, holds and settlement | Yes | No |
| Native producer app with settlements | Yes iOS and Android | No |
| Multiple showtimes on one show | Yes One lineup, one settlement | Not stated |
| Email marketing to your list | Coming soon | Yes |
| Merch, gift cards and POS | Yes | Yes |
| Your own Stripe account | Yes Paid out the day after the show | Yes Stripe and PayPal |
| Import your Eventbrite history | Yes | No |
Run one show on each.
It's the only comparison that settles it. Put a night through ComedyPass with your real deals and see what comes out the other end.