Run the room, not five different systems
Ticketing, table seating, talent, marketing and the door — one platform for a room that runs every week.
Built by someone who runs a comedy club.
Friday early. Friday late. Saturday.
Three different lineups, mixed tables and general admission, a couple of refunds, and everyone on their own terms. Then you do it again next week, and the week after.
Most of that is the same setup work every time — a new listing, a re-typed lineup, the seating chart redrawn, the numbers pieced together on Monday.
Set the room up once, and the week starts running itself.
Clubs sell rooms, not just seats.
Build your room the way it actually is — 2-tops and 4-tops at the front, rows behind, curved where the room curves. Save it as a template and reuse it every night.
- Tables, properlyDrop a 4-top and it generates the seats. Guests book the table, not four unrelated chairs.
- Build once, reuse foreverSave the room as a template. Clone a section with its own numbering instead of redrawing it.
- Live availabilityIf someone else is holding that table right now, the buyer sees it. Seats are held while they check out.
- Safe to changeVersion the room when you rearrange it. Once seats are sold it freezes, so nobody moves a chair someone paid for.
- 12 × 4-topsFront of room
- 8 × 2-topsSide tables
- 3 curved rowsBack of room
- Reused every showNo redrawing
Everyone on their own terms, settled the same way every week.
Your roster lives in one place, and each comic carries what they're on. Book them, and the terms come with them.
Your roster
Everyone you book, with their bio, links and history at your room. Add them once.
Real deal structures
Flat fees, a percentage of the door, guarantees, greater-of — plus bumps if the show sells out.
The weekend settles itself
Three comics on three different deals, worked out from real sales instead of by hand on Monday.
Whoever's on the door tonight can run it.
ComedyPass Studio on iOS and Android. Your door staff log in with their own account and scan — no training, no printed list.
- Scans continuouslyIt stays open so they work through a queue instead of tapping between guests.
- One scan admits the tableA table of four lets four people in. It knows the difference between a ticket and a seat.
- A live door listSearch by name, email or order number when someone turns up without their phone.
One thing worth checking: the scanner needs a live connection. There's no offline mode yet, so if the signal at your door is unreliable, tell us before you commit.
- Sold112
- Checked in68
- Already usedFlagged on scan
- In the roomUpdating live
Your booker, your door staff and your bookkeeper each get their own login.
Invite them by email with a role. Change it or revoke it whenever you need to — nobody shares your password.
A room that runs weekly needs to fill weekly.
Campaigns run from inside the platform, built off your room size and what tickets have actually cost you before — so you can see which ad sold a ticket, not just which one got engagement.
Campaigns from your data
Budgets built from your capacity and your own past cost per ticket, with copy written off the real lineup.
Traced to tickets
The click and the checkout are the same system, so you get cost per actual ticket, per creative.
Social on a schedule
Plan Instagram and Facebook posts for the week's shows from the same place you booked them.
Know where the week stands before it happens.
Every upcoming show, what it needs to sell to cover what you've already committed, and whether it's on pace. Then a per-show P&L afterwards, and the season behind it.
- Break-even, per showGuarantees and room costs against tickets sold, while there's still time to do something.
- A P&L per nightRevenue, refunds, tax, fees, your costs and every payout — then the profit and the margin.
- The seasonMonthly profit and loss, expenses by category, and revenue and profit by show.
- Friday earlySold out
- Friday late74% · on pace
- Saturday41% · behind pace
- Committed costsTracked per show
All of it, from day one.
Ticketing, marketing, talent, touring and the operational tooling around them. Nothing to add on, nothing to upgrade to. Your customers pay a small service fee at checkout and you keep 100% of your ticket price.
No setup cost. No subscription. See the full fee structure.
Built by someone who runs rooms.
After producing a few hundred comedy shows I kept hitting the same thing. The ticketing didn't know about the lineup. The lineup didn't know what anyone was on. And none of it knew what the marketing had done.
So I built what I wanted to be using. Other producers run on it now.
Start with one night.
Put a single weekend show on it and compare how the settlement goes against what you do now.